Daniel Dissinger welcomes the Poet Laureate of Anaheim, Camille Hernandez, to talk about her new book Motherlands, what it means to be Poet Laureate in Anaheim, the impact of poetry and poets, her mission to make poetry accessible to as many people as possible, and how poetry informs, reports, and dismantles. Camille also reads the poem “Overwhelm: A Colonial Swarm” from her book Motherlands which leaves Daniel speechless. This is one of those episodes of Writing Remix that reminds us of the humanity, pain, grief, dreams, and joy that each person on this planet share. It’s a conversation about reconnection to ancestors through poetry. It’s an episode that teaches and invites, so please share this with your friends, family, and your students.
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Approximate Show Notes
00:00 Introduction and Guest Welcome
01:05 Camille Hernandez’s Background and Cultural Identity
02:08 Exploring Feminism and Womanism
02:36 The Concept of Kapwa Womanist
03:20 Motherlands: The Journey of a Book Title
07:48 The Role of Poetry in Academia and Society
14:46 Becoming the Poet Laureate of Anaheim
19:38 Building and Supporting the Poetry Community
31:39 Motherland: Themes and Inspirations
33:41 Exploring Immigrant Experiences and Motherhood
35:31 Reading ‘Overwhelm: A Colonial Swarm’
37:20 Discussing the Impact of Poetry
46:38 The Writing Process and Inspirations
51:22 The Role of Poetry in Social Commentary
58:06 Final Thoughts and Reflections

Camille Hernandez is the third Poet Laureate for the City of Anaheim and one of OC Register’s 125 Most Influential People of 2025. She authored the books Motherlands (Finishing Line Press, 2025) and The Hero and the Whore (Westminster John Knox Press, 2023). Her previous work has appeared in Health Promotion Practice, Louisville Review, and Salt Hill Journal. Camille’s writing weaves bolo knives and cowrie shells into lyrical tales of caution and wonder. She crafts poetry into vibrant portraits of monstrous women who expressed their love through survivance while keeping their secrets intact and their altars clean. Some of Camille’s favorite authors include Toni Morrison, Hanif Adurraquib, and Octavia Butler.
Camille has been named a Finishing Line Press’ 2024 New Women Voices Chapbook finalist and a semifinalist for TulipTree Publisher’s 2025 Wild Woman storytelling competition. She’s a fellow of The Watering Hole and received support from McCormack Writing Center (formerly Tin House). When she’s not writing, Camille enjoys collecting chunky jewelry and going camping with her family.
Website: http://www.camillehernandez.com
substack: http://www.camillehernandez.substack.com
Instagram: http://www.instagram.com/writercamille (@writercamille)
Paypal: https://www.paypal.com/paypalme/camillegeri
People, Texts & Podcasts Mentioned in the Episode
- Toni Morrison
- bell hooks
- All About Love by bell hooks
- Arthur Sze
- The Hero and the Whore: Reclaiming Healing and Liberation through the Stories of Sexual Exploitation in the Bible by Camille Hernandez
- Roots. Wounds. Words. Inc
- The Anaheim Poetry Review
- Wendy Van Camp
- Indie Author Day in Anaheim
- Alligator Alcatraz
- Pedagogy of the Oppressed by Paulo Freire
- Yusef Komunyakaa
- Gwendolyn Brooks
- Sonia Sanchez
- Ajanaé Dawkins
- Brittany Rogers
- To Go Without Blinking by Aimee Herman
- Meant To Wake Up Feeling by Aimee Herman
“Make that poem […] give that poem the reflective element that haunts people as they walk away and makes them wanna come back to it.”
-Camille Hernandez
“There is no such thing as a virtuous poet. Um, because we’re all dismantling something somehow. And sometimes what we dismantle aligns and other times. What we dismantle brings us further into chaos. But like if poetry were, if poetry were a pool, it’s just nuance all over, like we swim in the waters of nuance.”
-Camille Hernandez
“I once received a word from a writing mentor who told me that the art of poetry is to mess with language.”
-Camille Hernandez
“The poet’s job really is to, is to use language in a way that frees ourselves of all of the things that dehumanize us.”
-Camille Hernandez
“There are all these types of violences […] One specifically for people who are marginalized is that we remain hidden until some sort of violence exposes our identity. And then what is also truly violent is now we are the ones who are forced to speak up because we’ve been backed in a corner by those who don’t understand and want to remain committed to misunderstanding but also want to feel good about themselves.”
-Camille Hernandez
“I worked really hard to make poetry fun and accessible and to get it in places where people would not want it to be.”
-Camille Hernandez
“As a poet laureate, I definitely treat this role as grassroots organizing and it’s the only position in government that I know of where you can be in the barrio at the beginning of the day and then have a meeting with the mayor at City Hall at the end of the day.”
-Camille Hernandez
“I feel like books are really tangible messages from our ancestors. Like people are trying to venerate and conjure and I’m like, you can literally go to the public library and get a book.”
-Camille Hernandez
119. The Poet’s role w/ Anaheim Poet Laureate Camille Hernandez
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